Pussy Riot were accused of blasphemy but may have saved the soul of music - and even rediscovered revolution for Russia .

Feminist punks Maria Alyokhina, Yekaterina Samutsevich and Nadezhda Tolokonnikova showed a defiant face to the might of Church and State to reclaim the ethic that once made punk a force for freedom and freedom a force in Russia . .

The trial arose from the wave of protests earlier this year against the dubious re-election of Vladimir Putin as Russian President.

Pussy Riot intervened on February 21 by stepping onto the altar of the Orthodox Cathedral of Christ Saviour in Moscow , blessing themselves and offering a "punk prayer" begging the Virgin Mary to "drive Putin out" and denouncing Patriarch Kirill for believing more in preferment under Putin than in the grace of God.

They were convicted of "premeditated hooliganism motivated by religious hatred" and sentenced to two years in prison.

Putin and the Patriarch recognise Pussy Riot as a serious threat. It is not just that their chutzpah appeals to millions of the restless among Russia's youth but that they draw on a deep tradition of political struggle which once gave a glimpse of how the world might be but which was buried by Stalinism and now is suppressed by its free-market variant under Putin.

Nadezdha wears a T-shirt with the slogan of the Left in the Spanish Civil War 'No Pasaran' - used more recently by Unite Against Fascism in demonstrations against the English Defence League.

In her closing statement, she spoke of "Stalin's Great Terror", characterised Russia today as "dominated by rigidity, closedness and caste ... serv(ing) only narrow corporate interests", and referenced the Oberiu poets of the 1920s and 30s who defended imagination against deadening orthodoxy and were purged, imprisoned, put into psychiatric wards. She ended by predicting "the collapse of this political system".

Pussy Riot's choice of the Cathedral for their performance was apt. "The Orthodox religion had the aura of a lost history, of something crushed and damaged by the Soviet totalitarian regime," explained Yekaterina.

Faced with sinking popularity, Putin's regime appropriated this legacy in order to "present their new political project as a means of restoring Russia 's lost spiritual values".

For its part, the Church "took on the role of "confront(ing) all baleful manifestations of contemporary mass culture, with its concept of diversity and tolerance".

Kirill, a former KGB colleague of Putin's, was appointed Primate of All Russia in February 2009. "After this happened," says Yekaterina, the Cathedral "began to be used as a flashy setting for the politics of the security services - the main source of power."

Putin and Kirill appeared together at televised events in the Cathedral, "providing background shots for morally and ethically edifying news stories."

Using the same altar to urge the Virgin Mary to "drive Putin out" was not blasphemy but a cry of protest against the blasphemers, political as well as religious.

The Russian revolution of 1917 was marked by an unprecedented efflorescence of creativity and daring in art, literature, music, architecture and much else. The moment didn't last. But it provided that flicker of a golden future which Pussy Riot still project.

Pussy Riot erupted into global consciousness in the wake of musical travesties closer to home. Madness loyally performing on the roof of Buckingham Palace . The Who bringing the closing Olympic ceremony to a twee conclusion that had true fans weeping that they hadn't died before they got old. The Pistols' “God Save the Queen” mushily incorporated into the Jubilee mainstream. Bono bullshitting over everything.

Where have all the punk radicals gone? Gone to sponsorship almost every one. But Maria, Nadezhda and Yekaterina still stand strong, harbingers of hope, calling out around the world.